Robert Crouch + Lauren Marsolier

April 28, 2016, 7:30 - 10:00PM

VOLUME presents an evening of new work by Robert Crouch and Lauren Marsolier, coinciding with the release of Crouch’s newest CD release, “A Gradual Accumulation of Ideas Becomes Truth.” Crouch will present an intimate headphone installation of the new work, accompanied by projections of Marsolier’s recent work and a LINE Pop Up Shop.

Released on LINE, The five pieces that comprise “A Gradual Accumulation of Ideas Becomes Truth” originate from a series of long form studio improvisations that were recorded, forgotten, and later edited over the course of a year. Using a modular synthesizer as the primary sound source, complex patches were constructed, recorded, and quickly dismantled, with the intention of using the stereo recordings as the basis for new compositions at a later date. “My work always privileges the act of listening; it is rarely about performance. After I recorded these initial sessions, I forced myself to forget about their construction, to un-learn how I made them, allowing myself the opportunity to experience them as sound objects. It is at that point where my composition process begins.”

Marsolier’s “Black Square,” 2011, is featured on the cover of the release.

Richard Chartier will present an exclusive LINE Pop Up Shop with special discounted pricing on the entire in-print back catalog and the brand new Logo Interference Tote bag.

French-born Lauren Marsolier lives and works in Los Angeles. She is the recipient of many awards and her images have been published internationally in such magazines as the British Journal of Photography where she was featured as one of ‘20 photographers to watch in 2013’. Her work was included in the ’31 Women in Art Photography’ 2012 selection by the Humble Art Foundation in NYC, ‘Looking at the Land’ at the RISD Museum of Art and also in the major 2013 London Exhibition ‘Landmark: The Fields of Photography’, curated by William Ewing at the Somerset House.

Recent exhibitions include solo shows at the Houston Center for Photography, Robert Koch Gallery (San Francisco) and Galerie Richard (NY and Paris). Her first monograph ‘Transition’ has recently been published by Kerber Verlag. Last November she was part of a panel discussion about contemporary landscape photography at TATE Modern in London, with fellow artists: Thomas Struth, Penelope Umbrico, Massimo Vitali and Mishka Henner.

Her work is part of many major collections including the Los Angeles County Museum of Art, the Center for Creative Photography and the Phoenix Art Museum.


Robert Crouch
is an artist and curator whose work encompasses sound, performance, and technology. As an artist, he locates his work with the intersection of post-phenomenological listening practices, conceptual sound art, and contemporary electronic music. At it’s core, his work can be understood as a conversation between tonality, context, history and subjectivities. Similarly, Crouch’s curatorial work focuses on the overlapping disciplines of sound, technology, movement, and performance.

In 2014 he organized the North American premiere of Sphæræ, a large-scale inflatable performance space and public artwork by Dutch artist Cocky Eek. He is currently co-curating Juan Downey: Radiant Nature, a survey of early interactive and performance work of the late Chilean artist as part of the Getty initiative, Pacific Standard Time: LA/LA.

Crouch is the former Associate Director/Curator at LACE, where he curated solo exhibitions with artists Karen Lofgren, Gina Osterloh, Steve Roden, Sean Sullivan, and Margo Victor, and performances with artists including William Basinski, Celer, Lawrence English, Dominick Fernow, and Yann Marussich. He is also the founding partner of VOLUME, a curatorial project that functions as a catalyst for interdisciplinary new media work through exhibitions, performances, events, lectures, and publications, and has worked with a wide range of artists including William Basinski, Nate Boyce, Frank Bretschneider, Richard Chartier, Heather Cassils, Celer, Loren Chasse, William Fowler Collins, Tim Hecker, Isis, France Jobin, Kadet Kuhne, Lucky Dragons, Mamiffer, Carsten Nicolai, Yann Novak, taisha paggett, Steve Roden, Terre Thaemlitz, Julie Tolentino, and Christopher Willits.


LINE
= a programmatic sound platform with a strong inclination towards the visual arts and multimedia, born from the desire to take the tactile qualities of audio installations from the gallery space to listeners’ living rooms.

LINE is located in Los Angeles.

Since 2000 the LINE imprint, curated and art directed by Richard Chartier, has continued to publish documents of compositional and installation work by international sound artists and composers exploring the aesthetics of contemporary and digital minimalism as limited edition Compact Discs and DVDs.