Fabio Perletta, Steve Roden, & Yann Novak

June 11, 2017, 7:30PM
Admission

Donation Appreciated

VOLUME partners with LINE and Dragon’s Eye Recordings to present the first US performance by Fabio Perletta, for which he will premiere ‘Ichinen.’ The evening will also feature performances by Steve Roden and Yann Novak. Generously hosted by Human Resources, the artists will perform alongside EJ Hill’s installation ‘A Subsequent Offering.’

Yann Novak is an artist, composer, and curator based in Los Angeles. His work is guided by his interests in perception, context, movement, and the felt presence of direct experience. Through the use of sound and light, Novak explores how these intangible materials can act as catalysts to focus our awareness on our present location in space and time. Novak’s diverse body of works – audiovisual installations, performances, architectural interventions, sound diffusions, recording, and prints – ask participants to reclaim the present moment as a political act.

Novak’s work has been experienced through exhibitions and performance at the Armory Center for the Arts, Pasadena; The Broad, Los Angeles; California Museum of Photography, Riverside; Commonwealth & Council, Los Angeles; de Young Museum, San Francisco; Getty Villa, Pacific Palisades; Hammer Museum, Los Angeles; The Henry Art Gallery, Seattle; Human Resources, Los Angeles; Los Angeles County Museum of Art, Los Angeles; Mutek Festival, Montreal; Norton Simon Museum, Pasadena; San Francisco Museum of Modern Art, San Francisco; Soundfjord, London; Susanne Vielmetter LA Projects, Los Angeles; Tanya Bonakdar Gallery, New York; and The Stone, New York, among others. His recorded sound works have been published by Crónica, Porto; Dronarivm, Moscow; Farmacia901, Berlin; Hibernate, Leeds; Home Normal, London; LINE Imprint, Los Angeles; Tigerbeat6, Los Angeles; and Touch, London, among others.

As a curator, Novak focuses on creating opportunities for artists and audiences to build communities that otherwise might not exist. This began in 2005 when he re-launched his father’s imprint Dragon’s Eye Recordings with a new focus on limited edition releases by emerging and mid-career sound artists, composers, and producers. Since its re-launch, Dragon’s Eye Recordings has published over 70 editions and has received critical acclaim internationally. In 2012, he became a member of VOLUME, a curatorial collective dedicated to presenting time-based work by emerging and established artists engaged in sound-based practices through performances, concerts, exhibitions, screenings, workshops, and publications.

Fabio Perletta creates immersive auditory fields that engage auditors to experience intimate and meditative states, using the sound as a vehicle for conceptual investigation and sensorial stimulation. Crossing the boundaries between pure electronics and musique concrète, his research is marked by a deep attention to details and use of silence and near-inaudible sounds. From recorded compositions and sound diffusions to site-specific interventions and installations, Perletta’s work ranges widely, often referencing seemingly different yet complementary terrains such as Zen aesthetics and quantum physics.

His installation work has appeared worldwide at festivals and art spaces including A×S / ak-sis / Festival 2014: Curiosity (Pasadena, US), BlueProject Foundation (Barcelona, ES), Museum of Modern Art (Medellín, CO), Kid Ailack Art Hall (Tokyo, JP), SoundFjord Gallery (London, UK), Café OTO (London, UK), O’ Art Space (Milan, IT), E-fest Cultures Numériques (La Marsa, TN), Flussi Festival (Avellino, IT), roBOt Festival (Bologna, IT), Acusmatiq Festival (Ancona, IT), Krake Festival (Berlin, DE), Auditorium Parco della Musica (Rome, IT), Raum (Bologna, IT) and many more.

Perletta’s solo and collaborative recordings are mainly documented on LINE (US), Dragon’s Eye Recordings (US), Auf Abwegen (DE) and his own imprint Farmacia901, which, since its establishment, has received critical acclaim internationally.

Steve Roden is a visual and sound artist from Los Angeles, living in Pasadena. His work includes painting, drawing, sculpture, film/video, sound installation, text and performance.

Roden’s working process uses various forms of specific notation (words, musical scores, maps, etc.) and translates them through self invented systems into scores, which then influence the process of painting, drawing, sculpture, and composition. These scores, rigid in terms of their parameters and rules, are also full of holes for intuitive decisions, failures and left turns. The inspirational source material becomes a kind of formal skeleton that the abstract finished works are built upon.

In the visual works, translations of information such as text and maps, become rules and systems for generating visual actions such as color choices, number of elements, amounts of time and form building.

In the sound works, singular source materials such as objects, architectural spaces, and field recordings, are abstracted through humble electronic processes to create new audio spaces, or possible landscapes. The sound works present themselves with an aesthetic Roden has described as lower case – sound concerned with subtlety and the quiet activity of listening.

Roden has been exhibiting his visual and sound works since the mid 1980’s, and has had numerous solo and group exhibitions internationally, including: Mercosur Biennial Porto Alegre Brazil, Centre Georges Pompidou Paris, San Diego Museum of Contemporary Art, UCLA Hammer Museum Los Angeles, Museum of Contemporary Art EMST Athens Greece, Singuhr-Horgalerie in Parochial Berlin, Center for Book Arts New York, The Kitchen New York, Pomona College Museum of Art, La Casa Encendida Madrid, Susanne Vielmetter LA and Berlin Projects, Studio la Citta Verona Italy, and others. In 2010, curator Howard Fox organized the exhibition “steve roden / in between: a 20 year survey”, which opened at the Armory Center for the Arts in Pasadena, and was accompanied by a full color catalog.

Roden has performed his soundworks at various arts spaces and experimental music festivals worldwide including: Serpentine Gallery London, San Francisco Museum of Modern Art, Walker Art Center, Minneapolis, DCA Dundee Scotland, Redcat Los Angeles, Crawford Gallery Cork Ireland, as well as performance tours of Brazil and Japan. Recent performances include John Cage’s Cartridge Music with composer Mark Trayle at the Norton Simon Museum in Pasadena, and a tribute to Rolf Julius at the Hamburger Banhof Berlin. Since 1993, Roden has released numerous CDs under his own name as well as under the moniker “in be tween noise” on various record labels internationally.

Fabio Perletta’s appearance is made possible by

CON IL SOSTEGNO DEL PROGETTO / WITH THE SUPPORT OF THE PROJECT: DE.MO./MOVIN’UP II sessione 2016

MOVIN’UP II session 2016 promoted by:
Ministry of Cultural Heritage and Activities and Tourism
General Directorate for Contemporary Art and Architecture and Urban Suburbs
General Directorate for Performing Arts
and GAI – Association for the Circuit of the Young Italian Artists